Parthenon. North frieze. Block 7 (VII). Fragments

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Provision of image

Inventory number

Ακρ. 3744

Artist

Pheidias' workshop

Category

Architectural sculpture

Period

Classical Period

Date

442-438 BC

Dimensions

Garment fragment of the first flute player: 0.144 x 0.133 x 0.083 m
Foot fragment of the first flute player: 0.12 x 0.116 x 0.025 m
Dressed body fragment of the third flute player: 0.215 x 0.192 m
Fragment of the shoulder of a guitarist: 0.224 x 0.18 x 0.112 m

Material

Marble from Penteli

Location

Parthenon Gallery

Description
Bibliography

Four small fragments from Block VII which is in very poor condition have been identified based on the drawings attributed to the painter Jacques Carrey. The block depicted four young flute-players and one guitar-player accompanying the procession with their music. The first two flute-players walk one behind the other whereas the next two proceed walking side by side. They are all dressed in a long chiton and himation. Part of the hand, arm and the flute of a preceding flute-player is shown on the preceding Block VI (Ακρ. 864).

Two more fragments belonging to this block are kept in the Acropolis Museum storerooms. The first one (Ακρ. 1137) preserves part of the head and the shoulder of one of the guitar-players and part of the guitar of another musician shown on the next poorly preserved Block VIII (Ακρ. 875). The second (Ακρ. 1063) preserves part of the body and left leg of the second guitar-player.

The frieze on the north side of the Parthenon depicts part of the procession formed by the people of Athens during the Panathenaic festival in honour of the protectress of the city, Athena. The procession's destination was the Temple of Athena Polias on the Acropolis. Its purpose was the transportation of the Panathenaic peplos destined to adorn the age-old xoanon of the goddess and the offer of a grand sacrifice of animals at the Great Altar outside of the temple.

On the north frieze the procession moves along the Panathenaic Way. On its head are youths that lead young cows and rams for the sacrifice followed by more young men who carry water and offerings. Behind them come musicians with flutes and guitars, elders, perhaps officials, holding olive branches, eleven chariots that participate in an equestrian event and finally sixty horsemen divided in ten groups.

The north frieze is fragmentarily preserved due to the explosion of the Parthenon by the Venetians under the command of general Francesco Morosini, in 1687, which damaged mostly the middle part of the long sides of the temple. The drawings attributed to the painter Jacques Carrey, who visited the Acropolis in 1674, just thirteen years before its bombardment by Morosini, are an invaluable resource for our understanding of a few parts of this side of the frieze (Blocks Ι-ΧΙΧ). Three blocks (X, XVIII and XXVI) were removed during the conversion of the Parthenon into a Christian church so that windows would be opened in the blocks' positions. Some of these blocks' fragments were later found on the Acropolis.

The initial length of the north frieze was 58.70 m and consisted of 47 blocks. Today the surviving blocks are divided between the Acropolis Museum and the British Museum in London, where they ended up after they were removed by Thomas Bruce, the lord of Elgin, in 1801-1804 when Greece was still under Ottoman occupation. In order to facilitate their transportation, Elgin's workmen, cut off with saws or crowbars only the faces of the blocks that bore the relief decoration. The Acropolis Museum exhibition includes the plaster casts of the faces of these blocks. On these casts some of the original fragments that fell off the monument, and thus escaped the looting,

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